
Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star.
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完全是我會喜歡的劇情片和氛圍 雖然劇情沒有很突出 老爸太會演了吧
You know the feeling of utmost satisfaction after watching a special film. What an ending. Bloody great Writing - character arcs, past, relationships, personal trauma everything came together so masterfully towards the end. Renate Reinsve yet again in Joachim’s film and she was subtly exceptional. But the standout performer for me was Stellan Skarsgard. His performance was so good that I sensed his regret that he couldn’t be there with their daughters and left them. That sense of being absent for years in his expression is also shown when he meets his old retired cinematographer. Joachim clearly understands how to make his viewers feel that the character couldn’t even make out the passage of time over all these years and deeply regretted not being there for his family and friends. Such a stunning performance by Stellan 🙏 & his dynamic with Renate’s character was pitch perfect. Even the script within a script played a huge part in the reconstruction of the destroyed family dynamics. No wonder that ending felt so perfect. Joachim’s yet another GEM OF A FILM.
Great performances, great script, and a really cool ending. I really liked how Elle Fanning was used too
“The difference between our childhoods is I had you.” As someone who many times growing up had to act like the older sibling (even though I’m not, but the eldest was as absent as the father), the last scene between Nora and Agnes feels bittersweet and too close to home. “There I was. I’d ruined everything. I was alone, lying there, crying. And then, for the first time, I sat down and prayed. It’s hard to explain. I don’t know who I prayed to, but I said it out loud: “Help me. I can’t do this. I can’t do it alone. I want a home.”
Trier är vad Wes Anderson kunde ha blivit om han inte försökte va så jävla indie hela tiden.
Ale jak ludzie z SAG przespali ten film, to może być największa nagrodowa zagadka dekady. Sam film siadł ciut mocniej niż za pierwszym razem, ale nie dziwi mnie to, bo ciągle sobie we mnie rósł pomalutku od pierwszego seansu.