Liz and Malcolm escape for a romantic anniversary weekend at a secluded cabin. When Malcolm suddenly returns to the city, Liz finds herself isolated and in the presence of an unspeakable evil that reveals the cabin's horrifying secrets.
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Why did I dig this even after uneven writing and ambiguity doesn’t always make sense? I expected less because Osgood has been a hit and a miss. Writing is still not perfect here too but at least this time Osgood nailed the twisted climax (Not for all but it was something up my alley) which was one of my major negatives in LONGLEGS (“The Monkey” anyways I didn’t like overall). Without spoiling, central theme or allegorically KEEPER reminded me of ALEX GARLAND’s MEN. I totally dig the folklore and its WHYs and HOWs. Almost a deliciously ambiguous film if Osgood had gone much deeper into it in the first half. He left far too much to process until the ending. Needed more polished ambiguity. Having said that, Osgood knows how to build tension/mystery even if the writing is uneven. He has got the knack of holding my attention with the great freaky visuals and solid technically overall.…
Dwie kwestie mnie nurtują. Pierwsza - jak taki szajs mógł dostać tak dobrą sekwencję otwierającą? Druga - dlaczego ja nadal daję się baitować na Perkinsa?