When the plots of reclusive author Elly Conway's fictional espionage novels begin to mirror the covert actions of a real-life spy organization, quiet evenings at home become a thing of the past. Accompanied by her cat Alfie and Aidan, a cat-allergic spy, Elly races across the world to stay one step ahead of the killers as the line between Conway's fictional world and her real one begins to blur.
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Aside from Killers of the Flower Moon, all of these Apple produced movies and shows have a shiny, plastic look that feels sanitized and fake. Seriously, how could Matthew Vaughn watch Henry Cavill drive that yellow CGI Jeep and go, "We got the shot!"? Apple does not understand the entertainment industry. The movies they make have no humanity. There's no other way to describe it. The characters do things real humans do not do; they're like robots trying desperately to seem real. We love movies because we can relate to them and, by watching them, learn something new about ourselves. But that's hard to do when everything on the screen looks like a computer pixel. Sure, Apple's excessive use of CGI in Argylle is gross. But the worst culprit is actually the Morning Show. I have a theory that Jon Hamm and Jennifer Aniston never filmed a scene for Morning Show in the same physical location. If you go back and watch, you'll see what I mean.
Te najgorsze elementy są tu niewyobrażalnie słabe, ale kiedy kilka razy wchodzi na swoje wyżyny, to łatwo cieszyć japę. I co prawda byłem trochę rozeźlony na to, że powinni pójść za ciosem w pełną satyrę, co zateasowało fenomenalne intro, ale ostatecznie wybaczam za scenę z bitko-tańcem.