
A fading celebrity decides to use a black market drug, a cell-replicating substance that temporarily creates a younger, better version of herself.
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A pretty bad script with the craziest Director-DP combo you've ever seen in your life
This is Dorian Gray but for straight people
瘋狂的觀影體驗 不過都沒有說明書怎麼都知道操作方法啦XD
It traumatized me
This film reaches out of the screen into you and rearranges your organs
que final merda KKKKKKKK
ONE OF THE GREATEST BODY HORROR FILMS EVER MADE!!!!!!!! If Coralie Fargeat’s debut film “Revenge” was too much for you to digest, then I bet you that was nothing in front her second film. Once I got to know the concept, I thought this would surely escalate at some point. But didn’t expect it to escalate to a level where my jaw dropped in amazement in multiple sequences and prosthetic marvel they have achieved in this - Phew!!!! It’s gross but spectacularly gross if you know what I mean. This is surely not for those who can’t digest the level of body-horror that unfolds before us.
This really says a lot about society
Coralie Fargeat certainly has a style, and I for one love it. The star earring is her calling card. Beautiful images pop with color onscreen, but the dark undertones remind you of Kubrick (the bathroom's secret room and the friggin shining carpet and that one hallway scene being the most in-your-face). And the other metaphors are just as obvious. But I'm okay with it because they should be obvious. In fact, it's so obvious that we share responsibility for refusing to address our ridiculous beauty standards, or worse, participating in it. We all have. And that's why the blood is on our hands. Or as Coralie Fargeat thinks, we should all be soaked head to toe in blood. In addition to Kubrick, there's obviously influences from Cronenberg, Carrie, Old, Benjamin Button, Lair of the White Worm, Jack, Titane, and a lot of the VHS horror from the 80s I cherish so much. Oh and the entire…
the most disturbing movie i've ever seen...
Disgustingly wonderful. Loved every scene of it, even those that made me wanna scream. The movie explores an idea that has been reoccurring a lot lately in our lives, but it's told in such a masterful way that you don't mind the plot being somewhat predictable Beauty standards, comparing one's self to others, blah blah blah, you know, all that crap we've been hearing ever since social media became a prominent part of our society. However, Coralie Fargest’s touch on this idea is very interesting and especially relatable to me. As Elizabeth finds herself jealous and envious of none other than herself. The movie plays with the idea of the perfect self and materializes it through the use of the substance. Eventually, both these personas fight for control, for existence, breaking the balance and eventually leading to the destruction of the self, but not before an atrocity comes out of this…