Barbara Marcel runs a film workshop at the Faculty of Fine Arts in Kinshasa. Starting with a discussion of the film The Lion Has Seven Heads by Glauber Rocha (Congo Brazzaville, 1969), the filmmaker questions the relationship between her country, Brazil, and the Democratic Republic of the Congo. Marlene offers an impassioned consideration of militant filmmaking.
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Nothing on the record yet. The first take opens the floor.