Paweł Łoziński’s documentary is a short, metaphoric story, undertaking a problem of memory, identity, searching for traces of the recent past. Here, on thirty hectares in the city centre, the inventory is being made – it is to lead to reconstruction of a lost city. The camera focuses on details, showing fingers touching an obliterated inscription or a laborious process of decoding letters excavated from the ground, because each of them means something.
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Nothing on the record yet. The first take opens the floor.