Días enteros bajo las piedras
Timoka, an indeterminate place governed by a strict prison-like structure. Clara Vogler and Nataniel coexist in a state of waiting that is nothing more than the postponement of an inevitable death. A fragmented narrative composed of scraps—both their own and others'—of manipulations and interferences, and of oblique or overt quotations. A story about love, death, a lack of communication, oppression, blindness, necessity, confinement, and the remote possibility of changing everything.
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Nothing on the record yet. The first take opens the floor.