Coming Apart
"Our analysis of such a rich film should not be a rigid, either/or proposition. It remains for us, almost 55 years on from Contempt’s initial release, to fully grasp Godard’s modernist gestures, poised between a fullness of mythic and classical meaning, and the possibilities of a newly fragmented universe of signs."
0 takes · 0 hearts · 0 replies
Nothing on the record yet. The first take opens the floor.