
A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.
| Actor | Role |
|---|---|
| Peduru | |
| Muhandiram | |
| Nona Hami | |
| Nona Hami's Father | |
| Appu | |
| Arachchi hamine | |
| RRohana BeddageDancing Teacher | Dancing Teacher |
| Arachchi | |
| Not listed |