
Twenty-eight years after the Rage virus outbreak, a heavily-defended island survives connected to the mainland by a single causeway. When one of the group leaves the island into the dark heart of the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors as well.
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我看了什麼(?) 為何穿插一些莫名的片段XD 主線劇情也不怎麼吸引人
Slaps way too hard on a rewatch. The music, Drool worthy cinematography, the signature editing style of the franchise, the characters, emotional arc, the world building, hilarious last 2 minutes sequences - literally everything was still GOLD on a rewatch. We movie buffs are seriously witnessing one of the best horror franchises of all time. Danny Boyle - Alex Garland made a franchise that we all can worship (Exaggerated) wholeheartedly forever.
Post rock nostalgia
“Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning?” Goes completely above and beyond the first two in every way. An amazing film and a favorite of the year for sure. Was really blown away by what the film has to say about life and death. Maybe it’s nothing crazy, but as someone who hasn’t experienced a lot of death in my lifetime and thus it rarely hangs on my mind, I can often forget this simple fact: memento mori. Remember you must die. And the film reminds us of the other side of that coin. That you must love. I was so surprised by this movie and I am very excited to see where this story goes next.
Pleasantly surprised by the story and the choices Boyle and Garland made, although I didn't know this was a Part I of III. I'm not mad because it's the first time in a while I wanted to explore a new world beyond what the film shows. Also thank you for putting teasers before the credits I loved how Aaron Taylor Johnson was used. Another movie would've made his only purpose to provide exposition during the first excursion, but the relationship to Jodie Comer made his choices central to this story. Was worried Comer was going to be wasted but she has a fantastic third act.
just a boy's love for his mom.
i fucking love this film . why was there so muck zombie dick though ?
That was fun.
Pierwszy akt niemalże wybitny (szczególnie ucieczka przed Alphą). Niestety potem zaczyna się robienie kurtyzany z logiki oraz chronienie głupiego jak but głównego bohatera, podrzucając na jego drodze coraz to nowe deus ex machiny. W ogóle wolałbym śledzić losy dowolnej innej postaci, niż tego głupiego, nieokrzesanego i od pewnego momentu irytującego dzieciaka, który przy okazji wypada zdecydowanie najgorzej aktorsko. I niby trudno mieć do tak młodego aktora pretensje o to, że nie dorównuje takim tuzom jak Ralph Fiennes czy Jodie Comer, ale też nic nie poradzę na to że odstaje bardzo wyraźnie. Szkoda też, że film poszedł w ilość a nie jakość obieranych przez siebie kierunków i metafor. Szczególnie dla mnie ciekawa, była ta filozofia memento mori, memento amoris doktora Kelsona, przy którym nawet bachor z łukiem stał się na chwilę ciekawym bohaterem. Zakończenie tak dzielące widzów, zostawiło mnie z mieszanymi uczuciami, i muszę to przetrawić. Całość mimo swojej oryginalności, którą naprawdę doceniam, nie wzbudziła u mnie ani hype'u na kolejną odsłonę, ani chęci na rewatch.