Homeless in Paris after spending everything on a low-budget film, queer undocumented filmmaker Bynone tracks down a former partner to obtain consent for an explicit scene they once shot together. As they revisit the footage, old hierarchies, racialized power dynamics, and unresolved desire resurface – and the boundary between the film-within-the-film and the film itself dissolves.
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Nothing on the record yet. The first take opens the floor.