The opening bust-shot, with its frequent use of cut-away shots and blurred dialogue, is like a campus version of Ozu's films. As the story progresses, however, the film itself breaks away from a style that was as borrowed (but still very fitting) as the protagonist. The way the film acquires its own rhythm and flavour is more than just a pleasurable experience, it is a cinematic pleasure.
| Actor | Role |
|---|---|
| MMarimo OsasaNot listed | Not listed |
| TToshihide SuzukiNot listed | Not listed |
| YYuko KandaNot listed | Not listed |
| KKenichiro YoshidaNot listed | Not listed |
| YYukie SuminoNot listed | Not listed |
| YYuko TomimaNot listed | Not listed |
| FFumiyuki OtaNot listed | Not listed |
| SShinichiro GotoNot listed | Not listed |
| SShoji TanakaNot listed | Not listed |
| KKenji MorotomiNot listed | Not listed |
| RRyohei SatoNot listed | Not listed |
 Kanako YamaguchiNot listed | Not listed |
 Sei AndoNot listed | Not listed |
| AAzumi AiyaNot listed | Not listed |
| JJun NishinohNot listed | Not listed |