The Threepenny Opera
The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).
| Actor | Role |
|---|---|
| Macheath, genannt Mackie Messer | |
| Jonathan Jeremiah Peachum | |
| IIngeborg EngelmannCelia Peachum, seine Frau | Celia Peachum, seine Frau |
| KKatherina LangePolly Peachum, seine Tochter | Polly Peachum, seine Tochter |
| AAxel BöhmertBrown, Polizeichef von London | Brown, Polizeichef von London |
| Lucy, seine Tochter | |
| Die Spelunken-Jenny | |
| WWilfried ElstePastor Kimball | Pastor Kimball |
| Filch / Trauerweiden-Walter | |
| MMichael LuckeEin Moritatensänger / Münz-Matthias | Ein Moritatensänger / Münz-Matthias |
| Makenfinger-Jakob | |
| Säge-Robert | |
| EEva-Maria StrienAlte Hure | Alte Hure |
| CCorinna SchnabelVixen | Vixen |
| RRenate WickeDolly | Dolly |