Camillo Mastrocinque was one of many foreigners who came to Brazil in the 1950s to make films. The director of melodramas during the Italian fascist era directed this film, Areião (Inca Film, 1952), which could have spared Maria Della Costa. The film was renamed La priggione di sabbia to compete at the Venice Film Festival, but was rejected.
| Actor | Role |
|---|---|
| Not listed | |
| OOrlando VillarNot listed | Not listed |
| CCarlos CotrimNot listed | Not listed |
| Not listed | |
| Not listed | |
| AArmando CoutoNot listed | Not listed |
| SSandro PolônioNot listed | Not listed |
| NNestor Alves de LimaNot listed | Not listed |