In Rhea (1982), Askevold elaborates on his interest in allusion and implication, using images that seem to be fragments of a larger narrative to suggest, rather than tell, a story. This piece consists of a series of close-up shots of numerous people, each stating a name or phrase. The shots gesture towards the type of staged reaction shot, often used in soap operas or made-for-TV movies, interrupting the linearity of the story.
| Actor | Role |
|---|---|
| DDomenic GarroNot listed | Not listed |
| GGeorge RathwellNot listed | Not listed |
| PPaul LeeNot listed | Not listed |
| JJanice LongewayNot listed | Not listed |
| MMike KilpatricNot listed | Not listed |
| JJohn DewarNot listed | Not listed |
| LLeo CampbellNot listed | Not listed |
| KKaruna SatoNot listed | Not listed |
| SSharon BinnsNot listed | Not listed |
| KKaan FiratliNot listed | Not listed |
| EElizabeth DaweNot listed | Not listed |
| MMona KestingNot listed | Not listed |
 Anita AnandNot listed | Not listed |
| BBarbara SutherlandNot listed | Not listed |
| AAnna MarksonNot listed | Not listed |
| LLouise McAvoyNot listed | Not listed |
| AAnn MaclarenNot listed | Not listed |
| WWanda VanderstoopNot listed | Not listed |
| SSonia HambletonNot listed | Not listed |
| TTina KoltzNot listed | Not listed |
| FFred LeweryNot listed | Not listed |
| AAlison McMullinNot listed | Not listed |