
Janet Planet2024
Aug 23, 2026 · imported from Letterboxd
It's impossible for me to objectively review this film, namely because in some important ways this film is about my own childhood. Not the fraught parent/child dynamics, not the pseudo-cultish theater troupe, but rather the immersive sound of cicadas, the green so lush it nearly overwhelms, the pastoral pace of a hot summer afternoon in Western Massachusetts in the early 1990s. I can be objective in a few ways, however. For all the accolades the film's actors justly receive, it features what may be the finest sound design in any film I've seen in recent memory. The constant cacophony of insects, birds, tree frogs; the satisfying crunch of footfalls on dirt roads; the creak of each wooden stair; the ancient, lived-in sound of air moving through a woodland cottage; the whispers and half-formed musings of liminal connection. In parallel to the film's immersive sound is its rich cinematography that brings to mind the works of Akerman and Sciamma, filled with keenly observed shots of the films characters nestled deep within their surroundings and a tactility that almost invites you into the frame, into Lacy and Janet's world in all its quixotic beauty. There is a naturalness to these compositions that nonetheless requires expert blocking and framing, as well as deft editing to maximize its emotional impact. Several sequences, including the theater performance and the contra dance, elicit a frisson of emotion that induces a kind of emotional time-travel, a fleeting glimpse of something profound and transformative usually hidden from our view. This is independent filmmaking steeped in rich structuralist traditions that trusts its audience to engage thoughtfully and compassionately with its characters, however imperfect they may be. It is also a detailed imagining of a place and time that carries a strong emotional weight that may escape some viewers but which reaches deep into the river of time and speaks to us children of rural New England in the late 20th century. There is a unity of effort amongst all its cast and crew that has resulted in one of the finest American films of the past decade and the hopeful beginning of the cinematic oeuvre of Annie Baker, one of our most important chroniclers of the human experience.