During 1960-90s, several theaters and public spaces in Seoul and other cities, such as Pagoda theater, Keukdong theater, and Seongdong theater, had been appropriated as the crucial ‘cruising spot’ by male sexual minorities. Now the main stage of cruising has moved from the physical spaces to the virtual fields. It seems there is no spatial validity as the Cruising Spot any longer.
No cast listed.