Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.
| Actor | Role |
|---|---|
 William S. BurroughsSelf (voice) (archive sound) | Self (voice) (archive sound) |