This poetic documentary is dominated by close-up shots of babies, children and dogs. The director also emphasizes the shots of trains, specifically a camera set up in a train filming various landscapes, from time to time creating the feeling that the entire action is a flick (a sweeping panorama, i.e. a rapid movement of the camera that during projection makes it difficult to recognize what has been filmed; most often, one sees a succession of grayscale or color tones on the filmed surface).
No cast listed.