Acts as a self-reflexive look at artistic expression, societal conservatism, and public reception in Bangladesh following the release of his film Third Person Singular Number.
| Actor | Role |
|---|---|
| self |
Acts as a self-reflexive look at artistic expression, societal conservatism, and public reception in Bangladesh following the release of his film Third Person Singular Number.
| Actor | Role |
|---|---|
| self |