The Trailer Park's New shelf is the trailers of films coming out, newest release first, with a NEW pill on what dropped since your last visit and the cut named on the row when it's a teaser or a later trailer. A first visit marks nothing, and coming back within half an hour keeps the same marks.
Spoiler tags in takes and replies. Wrap words in double bars, ||like this||, or press the eye in the composer, and they stay hidden until pressed: a bar inside a sentence, censored lines with a Spoiler label when a whole take hides. Letterboxd exports carry no spoiler flag, so imported reviews arrive as written.
Timelines zoom with the scroll wheel now, about the point under your cursor. Ctrl or cmd with the wheel still pinches, shift with the wheel still pans.
The Trailer Park's New shelf feeds itself. An hourly sweep reads every film with a US theatrical date in the next eighteen months and puts a new trailer or teaser on the shelf the hour it goes up. First on this week: Remain, Artificial, Straight Circle and Musk.
Fixed: a film page whose only video is a teaser, as Remain's is, showed no trailer button. It shows a Teaser button now.
Web
The Trailer Park's television fills the window's height on big monitors now. It used to stop growing at 1440 pixels wide, which left it standing in half the room on a 5K or 6K display.
Web
Notifications. A bell in the header collects replies to your takes, likes on your takes and ratings, new followers, upvotes on your published lists and timelines, and new trailers for films you favorited or are waiting on. Films and shows in your queue say so on release day. Everything is at /notifications, and each kind has a switch in Settings.
Reminders. The alarm clock beside a film or show's short link sets a reminder for a day you pick, with a note if you like. It comes back as a notification, and as an email unless you turn reminder mail off.
Fixed: the Trailer Park stayed dark with light mode on. It follows your theme now, and the bell and your account sit in its header where they do everywhere else.
Fixed: imports had matched a few films to a same-titled short from the year before their release, Obsession, Talk to Me, Under the Skin and Presence among them. Those entries, ratings, takes and diary days now point at the film you meant, and the matcher weighs candidates so it cannot happen again.
Discussions: the Rise tab is gone, and Popular's time range, today to all time, sits inside the Popular tab.
Fixed: stepping through the Trailer Park with the arrow keys no longer leaves the film and its discussion loading for ages after a fast run. The park asks once you settle, keeps what it has seen, and fetches the next tape ahead of you.
Fixed: a film on the park's New shelf could show up as its sign-language tape or a TV spot when its trailer was older. Each film wears its proper trailer now.
Fixed: a take or reply the floor refuses (an unverified email, the hourly ceiling, the same words already posted on another title) now says why instead of a generic error.
Web
Trailer Park, at /trailerpark: a television that plays trailers. Staff picks every week, votes, any film's trailer a search away, and nothing autoplays.
Web
Profile photos are back. Press the pencil on your tape, upload one, and it wears the tape's cover. Every upload is checked by an automatic classifier on our own server before it goes up, and explicit photos are refused.
Profiles have tabs now: Profile, Stats and, for members with published lists or timelines, Recs. Stats moved in from its own page; the old link still lands there.
Pick the scene behind your profile: Change scene in the profile's top strip opens the film's own headers, like Change imagery on a film page, so you choose which shot sits up top, and whether its top, middle, or foot shows.
Fixed: the Favorite Directors and Favorite Actors editors shared one list, so saving one could wipe the other. Each edits its own now.
The Top Ten is a Top Five: five slots on the profile, in order. If you had ten, the first five stand.
The Lists box on profiles is a Highest Rated box now: your twenty best-rated films and shows, best first. Published lists moved to the profile's Recs tab.
Pick an accent color for your profile: Edit profile has a row of swatches, and the one you choose tints the dot grid behind your tape and the active tab.
Lists no longer have a timeline view. Timelines live on the Timelines page, with a canvas for drawing your own.
A page for the Letterboxd move at /letterboxd: Queuebrick and Letterboxd side by side, row by row, what your export carries over, the TV question, and where Letterboxd is still the better choice. The TV Time and everything-else pages picked up the same common-questions block.
Web
Build your own timeline. Press New timeline on /timelines and you get a canvas with a dashed box on it. Put a film or a show in the box, then add before or after it, branch off from it, drag covers to reorder them or move them to another line, and click a branch's name to rename it or pick where it rejoins the main line. Films and shows can share one map. Publish puts it on the timelines page under Members, where people can upvote it; until then it is a draft only you can see, under Yours. Needs an account.
Twenty-six more franchise timelines beside the MCU: Alien, Star Wars, Star Trek, DC, Dune, Middle-earth, Game of Thrones, Godzilla, Halloween, The Conjuring, Saw, Insidious, Texas Chainsaw, Friday the 13th, Terminator, Predator, Planet of the Apes, Fast & Furious, Karate Kid, Dragon Ball, Gundam, Evangelion, Fate, Code Geass, Ghost in the Shell and Digimon. Same idea as the MCU map: the main story on one line in the order it happens, the reboots and side worlds on their own lines, switches for the stuff you can skip. Film and show pages link to their timeline when they are on one.
A timelines page at /timelines, built like the recs page: Trending, Popular and New, a search box, tabs for film, horror, anime and members, and an upvote on every timeline.
Every map draws its posters in full color now; the grayscale-until-seen look and the paint switch are gone. The fades at the map's edges are half their old width.
Hover cards on the maps stopped clipping at the edges of the screen, and a stop's crossings between lines sit in a column beside the card instead of stacked under it. Maps with many lines shrink to fit so every line is on screen.
Timelines joined the nav next to Recs. Diary, Recs and Timelines are icons with tooltips now, like Blog.
Lists have a timeline view: the list drawn as a one-line map, from a toggle beside the cassette shelf.
Switching shelves on the recs and timelines pages is smooth: one tab plate slides between the labels and the contents cross over instead of cutting.
Fixed: in light mode the fanned tape boxes on the recs and timelines pages showed a black wedge where each cover's rounded corners met the spine. Those two corners are square now.
Web
The TV Time import. TV Time closed in July; drop your saved export on /import/tv-time, the GDPR zip or the "TV Time Out" extension files, and it comes home: episode-by-episode history with your watch dates, finished shows marked watched and dated, mid-way and saved-for-later shows into the queue, favorites, and TV Time's movies into the film library and diary. Parsed in your browser; imports never overwrite.
A page for the move at /tv-time: what carries over, which files work, and the honest word for anyone who missed the export deadline.
The import page grew a source toggle, Letterboxd or TV Time, and every door into it now just says Import.
Toggles speak in two tones now: the flip back sits about two semitones under the flip forward, on the world switch and the import switch both.
iOS
1.4.0: the TV queue drag-ranks like the film queue, with a genre filter and a shuffle of its own.
Pick your own poster and page header for any film or show: Change imagery lives in the more menu at the top of the page, which also holds Add to list and the trailer.
The tables went to space: a drifting starfield behind every shelf, and the long-press room floats in it full screen. A Space tilt switch in Settings pins the drift.
Marking something watched opens the log sheet first, like the web: the day, a note if you want one, or N/A. Unwatching asks before it erases.
The Letterboxd import reads your diary: watch dates and rewatches come through.
Stats caught up with the web: monthly activity, streaks, the daily watch grid, a pick of the year, and list and TV progress.
More sorting: the Watched shelf by rating, length, and release date; the queue by shortest and longest.
Settings can default the film/TV pages to either world.
Web
Fixed: an impossible calendar date in an import could wedge a member's stats page for good. Every diary door now checks the calendar.
Fixed: the import wizard no longer splits one film's rewatches across two batches, which could drop the tail of a big diary.
Web
Pick your own poster and page header for any film or show in your library: the gear beside the year opens every alternate TMDB holds. Your pick rides your shelf, the feed, and Battle Royale; nobody else sees it, and Use default puts things back.
The queue has a shuffle button. It rerolls the whole queue, not just the page you're looking at.
More sorting: the Watched shelf sorts by rating, length, and release date now, and the Queue picked up shortest and longest first. All of it on TV too, minus length.
iOS
1.3.2: the Letterboxd import works on real exports now. It had been rejecting every genuine zip with "no films found" since it shipped; the parser choked on Letterboxd's line endings.
Refreshes fetch only what changed instead of the whole library, so big collections cost a few hundred bytes per update.
The profile header pins while you scroll, matching the film, show, and people pages.
The VHS boxes have a real cassette inside: lift the sleeve and there's actual thickness, ridges and all.
Long-press menus open with momentum and a small pop sound.
Cold starts remember your shelf and open onto it instead of a spinner; slow-network launches went from about 7 seconds to 4.
Every backdrop fades into the page on one smooth ramp, sheets share one corner radius, and the rating slider sits consistently across film, show, and people pages.
Web
The shelf loads one page at a time with a real pager under the table. A 3,500-film library that shipped 13MB per load now ships 69KB.
Stats, profiles, and the Following feed stopped reading whole libraries; they answer from summaries now and are much faster for big collections.
The stats page grew a year: monthly activity, a daily watch grid, your longest streak, hours watched, busiest month, a pick of the year, and a tile that balances rated against logged.
Your stats page is shareable from a link on the page. Private accounts stay private, and TV progress can be hidden from it in Settings.
The queue ranks past 500 films now; the old silent wall is gone.
Web
Movie-page heroes wear a fine printed line screen, like ink on a poster.
The tape's peek moved from hover to click, so touch and keyboards get the reels too. Enter and Space work.
Where to watch holds one fixed four-row window whatever the tab holds; long lists scroll inside it.
Removing something from your queue asks first, in the card's own shape, and the card exits cleanly instead of popping out. List rows got the same manners.
The search palette does quick actions on shows and people now, not just films, and list rows show your verdict beside the actions.
Card hover overlays rise in from the poster's bottom.
Light-mode audit: modal cards and confirm overlays read correctly in both themes now.
Fixed: the pantheon no longer invents "Directings"; TMDB departments translate to credit nouns at the border.
Web
Where to watch lives on film and show pages now: a cell on the action row opens streaming, rental, and purchase options, split across Stream, Rent, and Buy.
Marking something watched from a poster opens a log sheet: the verdict slider, the watch day on the calendar, and room for a note.
Removing a film or show from your Queue asks first.
Shows joined the diary. Marking a show watched logs a dated entry, notes included, and the diary filters Films or Shows from a menu beside the date filter.
The queue icon is the queue glyph everywhere, and the action icons follow the home shelf's order: Queue, Watched, Rated, Favorite.
Poster grids melt into the top of the page as you scroll, and movie-page backdrops fade out on scroll instead of sliding under the nav at full strength.
Search results tidied up: the section pills lost their divider, and people wear poster-style thumbnails.
The footer and about page link to @threemonoliths on X and Instagram.
Fixed: the app page's screenshots are a tenth their old weight, the sitemap's dates were invalid, and old film addresses now redirect permanently to their clean URLs.
Web
The Films and TV pages open straight onto your shelf: the hero backdrops and the Change scene picker are gone, the filter menus float above a bare grid, and everything lines up with the nav.
Posters wear slightly rounder corners, drawn as true squircles in Chrome.
Signed out, Films and TV fit exactly one screen: the demo shelf fills the viewport with the pitch centered on it, and the browse rows wait until you sign in. The demo canon grew to 80 films and 60 shows.
The nav island's outline is now a single drawn curve per side, so the seams where its shoulders met the corners are gone. Same treatment when ⌘K opens it into search.
The phone menu is tighter: less space above the first link, closer rows, rounded bottom corners.
The account and footer menus now match the other dropdowns, and the divider above the footer is gone.
Cast and crew tables on film and show pages sit on the open page instead of a filled panel.
Films and Recs traded nav icons: the reel leads Films, the strip leads Recs.
Fixed: autofilled inputs on the sign-in and password pages no longer glow blue, and the TV page's list view works signed out.
iOS
1.2.0: the download is 21MB, down from 188.
Pull to refresh works again on every list, swiping back is the system gesture, and drag-to-rank grabs the handle instantly.
Film, show, and people pages pin the tape and the action row after a short scroll; the page slides beneath them.
Search opens onto Trending, Popular, New Releases, and Top Rated; typing swaps to results.
Matching the site: the All view is gone, Home opens on Watched, and the watchlist lives on its own tab for films and TV with sorting up top.
Pick your starting tab, Home or Watchlist, in Settings.
Sheets are solid black, scrollbars are gone, and rows fade out at the table edges.
Fixed: watchlist reorders no longer revert after a refresh, a film reopened right after rating shows the new verdict, diary dates survive non-Gregorian calendar settings, and the diary search freeze is gone.
Web
The Films and TV libraries now open on your watchlist. The All view is gone; Watchlist, Watched, Rated, and Favorites remain.
Fixed the whole watchlist flashing after a drag-and-drop reorder.
Signed out, the TV page now shows a demo library with real counts, like the film homepage.
Web
The main nav is now an island: a black tab at the top of the page with smoothed corners. Films, TV, Diary, and Recs sit inside it; Following, import, and search are icons. It stays visible when the header hides on scroll.
Press ⌘K on desktop and the island opens into search: rows fade in as it expands, and it closes back to the nav when you're done.
Following posts are flat now with a divider between each, shown ten at a time. Around Queuebrick shows the member count.
Added a QR code button to the app page that links to the App Store.
Small improvements across the header, feed, and search.
iOS
1.1: the parity build. People pages with hero art and filmography tabs, Crew and community ratings on films, the watched celebration with Instagram story sharing, diary search and filters, recs and public lists, Letterboxd review/list import, data export.
1.1.1, same day: TV gets the film shelf's filters, sorting, and list view; parallax hero images; fixed the filter pills tearing mid-animation; removed the slider scrub sound.
Web
The API learns everything the iPhone app needs for 1:1 parity: community averages and histograms on films, hearts and comments on the feed, person and list hero art, data export, and a fresh-slate reset.
Private profiles now show visitors only the wall, on the site and through the API alike.
iOS
1.0.2: smoother rating slider, haptics toned down across the app.
Web
TV show pages track episode progress in the Seasons header; finishing every episode turns the bar gold.
Blog posts can include screenshot rows.
iOS
Queuebrick for iPhone 1.0 is on the App Store. Free, no ads.
1.0.1, same day: Letterboxd import in the app, native page transitions, speed and sound work.
Web
Following is a feed: posters on their own backdrop, diary notes, hearts and comments.
Film pages hang the film's backdrop behind the tape, with a credit line and the verdict.
Search gets tabs: Films, Shows, People. People covers actors, directors, and writers.
Download buttons and Safari's app banner point at the App Store listing.
Verification emails can open the app directly (queuebrick:// links).
Email logos read correctly in Gmail dark mode.
Web
The diary opens straight onto the ledger; the hero band is gone.
Fixed layout shift from the scrollbar appearing and disappearing.
Web
The diary: every watch gets a dated line in the book.
Stats: what the diary adds up to, free for everyone.
Television arrives at /tv.
Web
Queuebrick launches: queue, library, verdicts out of 10, one-click Letterboxd import.